GDPR), including the right to access your data, to have it deleted or transferred, and/or to request further information by writing to You may also submit a claim to the supervisory authority. The Data Controller is Giorgio Armani S.p.A., Via Borgonuovo 11, 20121 Milan the Data Protection Officer may be contacted at: the Data Processor is YOOX NET-A-PORTER GROUP S.p.A., company with sole shareholder subject to direction and coordination of Compagnie Financière Richemont S.A., with registered office in Italy, via Morimondo, 17 – Milano 20143. Your data will be kept for the period of time needed to accomplish the objectives for which it was collected you may revoke your consent at any time, without this prejudicing the lawful nature of the processing that was completed prior to revocation. “Please forgive this whim.By clicking on the "Subscribe" key, you declare that you are over 18 and provide your consent to have your personal data processed in order to receive newsletters and other advertising communications from Giorgio Armani S.p.A. “The public responds well to me being on the dresses, and I do not mind that,” Armani wrote, another ironic wink implied. The T-shirts with that same image sell up a storm at his Armani/Silos gift shop in Milan, and in a post-pandemic economy, superstar merchandise might be the only thing that never goes out of fashion. Our Giorgio Armani cologne collection for men includes Armani Codea seductive blend of rum, vanilla and tonka beanand Acqua di Gio Profumo, which memorably combines mineral marine notes with the warmth of frankincense and patchouli. “It should be a boost of energy and irony.” He admitted those motivations also fueled the inclusion of his own Bob Krieger portrait rendered in crystals on an evening dress. “Fashion is surprise, isn’t it?” Armani wrote. Suddenly a wildly embellished poncho popped up in the women’s collection, giving you New Romantic vibes, and the menswear offered impulses such as a glam leopard jacket and louche kimonos for the lockdown playboy. That sentiment was reflected in garments that detoured from expected Armani territory. Other than underscoring his love for animals-his private zoo in Broni houses everything from flamingos to alpacas and an inseparable horse-and-donkey duo-its purpose was simply to surprise. The spiral ruffles that adorned many garments had some sprightly optimism to their bounce, and glitter and crystal moments were clearly tailored to a party mood.īoth the women’s and the men’s shows-designed simultaneously but presented separately-circled around a bright green gorilla statue originally given to Armani by his sister. And yet it was a quirkier proposal than the restrained and very beautiful poetry that embodied his haute couture collection last month.
Of course, “I certainly designed this collection with better times in mind,” he wrote in an email, but the casual-sporty silhouette that defined the women’s proposal-austere, broad-lapeled tailoring and coats, ladylike parkas, soft breeches, and sarouels-was decidedly sensible minded. He thought about his collection for our reemergence from lockdown this fall with the same caution and stoicism that made him the first designer to cancel a show amid the arrival of the pandemic exactly a year ago this week. Last year, when I asked Giorgio Armani if the current crisis had brought back wartime memories, he said, “Not really.” As the only working designer who remembers the interwar period and lived through World War II, Armani-born in 1934-has a no-nonsense approach to a hopeful fashion climate that likes to throw around operatic parallels to the Roaring Twenties or the New Look of ’47.
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